1834-1903 James Abbott McNeill Whistler Art Locations   Related Paintings of James Abbott McNeil Whistler :. | Caprice in Purple and Gold | The White Girl | Rose and Silver La Princesse du Pays de la Porcelaine | Rose and Silver | Das Weibe Madchen Symphonie in Weib |
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Joseph Karl Stieler
(1 November 1781 - 9 April 1858) was a German painter. Born in Mainz to a family of engravers and die-cutters, Stieler received some artistic training from his father, August Friedrich Stieler (1736 - 1789). Stieler began his career as a painter of miniatures. His portrait style was most especially shaped during his work in the Parisian atelier of Francois Gerard, a student of Jacques-Louis David. In 1808, he established himself as an independent portraitist in Frankfurt am Main. He traveled through Italy in 1810. In 1816, he traveled to Vienna to paint the portrait of Emperor Francis I of Austria. Between February and April 1820, he worked on his portrait of Beethoven, which is probably the most well-known representation of the composer today. Stieler worked mainly in the service of the Bavarian court. His painted likenesses in Schloss Nymphenburg, Schönheitengalerie, the so-called Gallery of Beauties, were commissioned by King Ludwig I. Stieler also painted the portraits of Goethe, Amalia of Greece, Friedrich Wilhelm Joseph von Schelling, Johann Ludwig Tieck, and Alexander von Humboldt. The most distinguishing feature of Stieler's portraits is his utter focus on the sitter. Decorative additions are left out, and there is nothing that distracts the viewer's scrutiny. Stieler accomplished this concentration through deliberate light - dark contrast, which above all highlights the accurately characterized facial features. He died in Loytown.
Cornelis Claesz. van Wieringen
He was the son of a Haarlem captain, and drew, painted and etched with his friends Hendrick Goltzius and Cornelis van Haarlem. He also held important positions in the Haarlem Guild of St. Luke, the painters guild, where he became a member in 1597. He specialized in paintings depicting ships and sea battles, and received orders from the municipal councils of Haarlem and Amsterdam. He painted the most popular picture of the Damiate legend of Haarlem, showing how a Haarlem ship broke the protective chain at Damietta during the Fifth Crusade, resulting in an important victory over Islam. This painting was such a success that it was reordered in tapestry form, and both pieces are in the collection of the Frans Hals Museum. The city of Haarlem archives still hold the original records of the 1629 order to Van Wieringen to make the tapestry, the largest made in the 17th century (10.75 meters long and 2.40 meters high). This tapestry still hangs on the wall of the Haarlem City Hall council meeting room known as the vroedschapskamer, where it was installed. It is on public display once a year on Monument Day.
Henri Bellech-ose
Brabant active in Dijon 1415-Dijon 1440/44